April 15, 2017 at Swedish American Hall in San Francisco.
Julia Jacklin thought she’d be a social worker. Growing up in the Blue Mountains to a family of teachers, Jacklin discovered an avenue to art at the age of 10, thanks to an unlikely source: Britney Spears. Now living in a garage in Glebe and working a day job on a factory production line making essential oils, the 25-year old found time to hone her craft – to examine her turns of phrase, to observe the stretching of her friendship circles, to wonder who she was and who she might become. That document is Jacklin’s masterful debut album, Don’t Let The Kids Win – an intimate examination of a life still being lived.
Gold Star’s Marlon Rabenreither grew up in L.A. with a native son’s sense of what’s real and true and a childhood fascination with the Beatles, teaching himself to write and play a special kind of stark guitar-noir Americana that soon got him opening for Ryan Bingham and an admiring Lucinda Williams. On his new Autumn Tone release Big Blue—named after the ramshackle Hollywood home where he produced and recorded the album—he shines and redefines the sound of his self-titled 2013 EP and his 2015 full-length Dark Days to reveal an autobiographical work as influenced by writers like Fante, Baldwin and Chandler as it is Neil Young, Leonard Cohen, Wilco or Elliott Smith. If you didn’t know better, you’d think it wasone of those lost classics—but really it’s just a long letter from a young singer/songwriter both weary and wise beyond his years.